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PZC Chatometry

A standard system to measure wood chatoyance

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  • What is Chatoyance?
    • Curl
    • Ribbon Stripe
    • Other Figures
    • Flecks
    • Growth Rings
    • Knots
  • The PZC method
    • Scale example 1
    • Scale example 2
    • Scale example 3
    • Scale example 4
  • Woods
    • Summary Table
    • Africa
      • Abura
      • Afrormosia
      • Agba
      • Agba
      • Afzelia
      • Aniegre
      • Avodire
      • Azobe
      • Bilinga
      • Bilinga
      • Bomanga
      • Boire
      • Bubinga
      • Cola
      • Ebiara
      • Ebony, Gaboon
      • Etimoe
      • Faro
      • Faro
      • Framire
      • Guarea
      • Iroko
      • Lati
      • Khaya
      • Kosipo
      • Kotibe
      • Kotibe
      • Koto
      • Limba
      • Limba, Black
      • Makore
      • Mansonia
      • Moabi
      • Movingui
      • Niangon
      • Niove
      • Obeche
      • Ocotea
      • Ocotea
      • Ovangkol
      • Okoume
      • Padouk
      • Purpleheart
      • Ramin
      • Rosewood, African Blackwood
      • Rosewood, African Blackwood
      • Rosewood, Madagascar
      • Sapele
      • Sipo
      • Tali
      • Tiama
      • Wenge
      • Walnut, African
      • Zebrawood
    • Asia
      • Acacia, unspecified
      • Ailanthus
      • Albizia, unspecified
      • Alstonia
      • Artocarpus
      • Ash, Tamo
      • Bintangor
      • Bamboo
      • Camphor
      • Coconut
      • Ebony, Black and White
      • Ebony, Macassar
      • Fig, misc.
      • Kapur
      • Keruing
      • Mango
      • Meranti
      • Merbau
      • Mersawa
      • Narra
      • Paulownia
      • Rosewood, Indian
      • Satinwood
      • Sen
      • Sucupira
      • Teak
    • Europe
      • Alder
      • Apple
      • Ash, European
      • Ash, Olive
      • Beech, European
      • Birch
      • Birch, Karelian Burl
      • Black Locust
      • Bog Oak
      • Cedar, European
      • Cherry, Sweet
      • Chestnut, Horse
      • Chestnut, Sweet
      • Cypress, Mediterranean
      • Elm
      • Fir, European Silver
      • Hawthorn
      • Hazelnut
      • Hornbeam
      • Laburnum
      • Lagerstroemia
      • Larch, European
      • London Plane
      • Lime, European
      • Madrone
      • Maple, European
      • Mulberry
      • Oak, Sessile
      • Olive
      • Olive, Russian
      • Poplar, Yellow
      • Pine, Maritime
      • Pine, Swiss Stone
      • Pine, unspecified
      • Pear
      • Poplar
      • Spruce, Fiemme (Ciresa tonewood)
      • Sumac
      • Walnut, European
      • Yew
    • North America
      • Ash, American White
      • Alder, Red
      • Beech, North American
      • Beech, North American
      • Boxelder
      • Butternut
      • Catalpa
      • Cedar, Eastern Red
      • Cedar, Western Red
      • Cherry, Black
      • Cypress, Bald
      • Cypress, Lawson
      • Desert Ironwood
      • Desert Ironwood
      • Dogwood
      • Fir, Douglas
      • Giant Sequoia
      • Hackberry
      • Hemlock
      • Hickory
      • Holly
      • Honey Locust
      • Juniperus misc.
      • Koa
      • Magnolia
      • Maple, Bigleaf
      • Maple, Bigleaf
      • Maple, Hard
      • Mesquite
      • Mesquite
      • Oak, Red
      • Oak, White
      • Osage Orange
      • Osage Orange, Green
      • Red Gum
      • Pecan
      • Pecan
      • Redwood
      • Sassafras
      • Service Tree
      • Sycamore, American
      • Sycamore, American
      • Walnut, Black
      • Walnut, Claro
      • Walnut, Claro
      • Willow
    • Oceania
      • Agathis
      • Ash, Crow’s
      • Australian Blackwood
      • Black Bean
      • Cedar, Australian Red
      • Eucalyptus, unspecified
      • Ash, Mountain
      • Gum, River Red
      • Oak, Tasmanian
      • Jarrah
      • Maple, Queensland
      • Oak, Northern Silky
      • Oak, Southern Silky
      • Pine, Huon
      • She-Oak, River
      • Spotted Gum
      • Tasmanian Myrtle
      • Walnut, Queensland
    • South and Central America
      • Angelim
      • Araucaria
      • Aspidosperma
      • Bloodwood
      • Bocote
      • Canarywood
      • Carapa
      • Cedar, Spanish
      • Cerejeira
      • Chechen
      • Cumaru
      • Curupixa
      • Freijo
      • Garapa
      • Goncalo Alves
      • Goupie
      • Granadillo
      • Guanacaste
      • Guatambu
      • Imbuia
      • Ipe
      • Jacareuba
      • Jatoba
      • Jequitiba
      • Katalox
      • Leopardwood
      • Lignum Vitae
      • Louro Faia
      • Louro Preto
      • Mahogany, Cuban
      • Mahogany, Honduras
      • Massaranduba
      • Nothofagus
      • Osage Orange, Argentine
      • Pao Rosa
      • Peroba Rosa
      • Piquiarana
      • Podocarpus
      • Primavera
      • Rosewood, Brazilian
      • Rosewood, Cocobolo
      • Rosewood, Honduras
      • Rosewood, Kingwood
      • Rosewood, Santos
      • Tatajuba
      • Timbauba
      • Tineo
      • Tulipwood (Brazilian)
      • Ziricote
  • Case studies
    • Roasting Curly Maple
    • Epoxy resin
    • Bleaching Sapele
    • Sapwood vs Heartwood
    • Different Materials
    • Sunlight & Weather
      • Sunlight exposure on purpleheart
      • Sunlight & Weather exposure on sweet cherry
      • Sunlight exposure on field maple
      • Sunlight exposure on Tasmanian Blackwood
      • UV light exposure
    • Finishing
      • Finishing Maple
      • Finishing Curly Maple
      • Finishing Curly Maple – part 2
      • Surface preparation on Curly Maple
      • Incremental grit and finishing on Curly Maple
      • Finishing Okoume
      • Finishing London Plane
      • Finishing Blonde European Walnut
      • Finishing European Ash
      • Finishing European Elm
      • Finishing Etimoe
      • Finishing Sweet Cherry
      • Finishing Ovangkol
      • Finishing European Oak
      • Finishing Birch
      • Finishing Teak
      • Finishing Iroko
      • Finishing Sapele
      • Finishing Sumac
      • Finishing Redbud
      • Finishing Kotibe
      • Finishing Indian Rosewood
      • Finishing Hackberry
      • Finishing Paldao
      • Finishing Bocote
      • Finishing Merbau
      • Finishing Snakewood
      • Finishing Purpleheart
      • Finishing Padouk
      • Finishing Mulberry
      • Finishing Niangon
      • Finishing Tasmanian Blackwood
    • Progressive grit sanding
    • Ultra-fine sanding
    • Supersurfacing
    • Raw Veneer vs fine sanded
    • Cleaning Black Walnut
    • Quartersawn vs Flatsawn
      • Quartersawn vs Flatsawn on London plane
      • Quartersawn vs Flatsawn on Red Oak
      • Quartersawn vs Flatsawn on European Beech
      • Quartersawn vs Flatsawn on Louro Faia
      • Quartersawn vs Flatsawn on White Mulberry
    • Runout Angle
    • Mud Curing on Osage Orange
    • No. 1 – Hawaiian Koa
    • High-res videos
    • Large GIFs [heavy pages…]
      • Large GIFs 1
      • Large GIFs 2
      • Large GIFs 3
      • Large GIFs 4
      • Large GIFs 5
      • Large GIFs 6
      • Large GIFs 7
      • Large GIFs 8
      • Large GIFs 9
      • Large GIFs 10
      • Large GIFs 11
      • Large GIFs 12
      • Large GIFs 13
      • Australian species
    • Wood samples
    • Fresh-cut wood
    • From firewood to PZC results
    • Hunting for Tasmanian Blackwood
    • Included branches and Crotches
    • Chatoyance distribution within a tree
    • Tasmanian Blackwood – heartwood and sapwood
    • Stabilization
    • Microscope pictures
    • Out of the tablesaw
    • Chatoyance vs Fluorescence
    • Patch of Black Cherry trees
    • Spalting
    • Bark
    • Thuya Burl
    • Dying Curly Maple
    • Ammonia fuming
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UV light exposure

Some samples were sanded to 1500-grit and then their chatoyance was measured after exposure to UV light through the use of a tanning lamp. The results are summarized in chart below showing that:

Maple: brightness decreases with exposure time, and visible chatoyance (PZC) increases.

Okoume: brightness decreased, but then reaches some sort of stabilization, while chatoyance keeps increasing.

Oak and Cherry: brightness decreased, while chatoyance reached a peak and then started decreasing.

Black Walnut: this appears quite stable in terms of brightness, but its color visibly changes.

Sapele shows no significant effect on brightness, and again chatoyance reached a peak and then started decreasing.

Genuine Mahogany appears similar to Sapele, but it shows some brightness reduction.

Carob becomes darker in its reddish areas, but there is no significant change in chatoyance.

Redbud and Mulberry become darker with a high chatoyance increase.

London Plane, Sumac and Lentisk also become darker, with a small increase in chatoyance.

Brightness on the right vertical axis is shown as a fraction of white photographic paper brightness.

GIFs below show hot the samples appeared at various stages:

Maple, before exposure (PZC = 13.9)
Maple, after 16hrs exposure (PZC = 15.9)
Maple, after 32hrs exposure (PZC = 17.0)
Maple, after 60hrs exposure (PZC = 17.9)
Okoume, before exposure (PZC = 16.8)
Okoume, after 16hrs exposure (PZC = 19.8)
Okoume, after 32hrs exposure (PZC = 20.6)
Okoume, after 60hrs exposure (PZC = 21.1)
Sessile Oak, before exposure (PZC = 12.8)
Sessile Oak, after 40hrs exposure (PZC = 15.2)
European Cherry, before exposure (PZC = 17.0)
European Cherry, after 40hrs exposure (PZC = 20.2)
Black Walnut, before exposure (PZC = 20.9)
Black Walnut, after 40hrs exposure (PZC = 21.9)
Sapele, before exposure (PZC = 23.4)
Sapele, after 16hrs exposure (PZC = 24.0)
Sapele, after 40hrs exposure (PZC = 21.7)
Genuine Mahogany, before exposure (PZC = 24.8)
Genuine Mahogany, after 20hrs exposure (PZC = 24.9)
Genuine Mahogany, after 40hrs exposure (PZC = 23.0)
Carob, before exposure (PZC = 9.3)
Carob, after 40hrs exposure (PZC = 9.7)
Redbud, before exposure (PZC = 15.0)
Redbud, after 40hrs exposure (PZC = 19.0)
Lentisk, before exposure (PZC = 8.6)
Lentisk, after 40hrs exposure (PZC = 10.5)
Sumac, before exposure (PZC = 22.9)
Sumac, after 40hrs exposure (PZC = 24.9)
Mulberry, before exposure (PZC = 14.6)
Mulberry, after 40hrs exposure (PZC = 19.5)
London Plane, before exposure (PZC = 11.6)
London Plane, after 40hrs exposure (PZC = 12.9)

Want to know more? Get Woodworker’s Guide to Chatoyance!

Available on Amazon in 12 countries – just click on your flag below…

… and enjoy the read!

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